Đi thì không có đường về (Leave, then there is no way home), I use photography, observational video, sound and storytelling to create an immersive installation about migration, memory, agency, and transformation in my parents’ home villages in Vietnam and in South Philadelphia, the neighborhood where I grew up and is today home to immigrants of all generations and diverse backgrounds. Tracing the cultural and spiritual affinities between communities half the world apart, the installation renders visible the richness of their social life and collective history. This work was commissioned by the Asian Arts Initiative, with original funding from the Pew Center for Art and Heritage, Philadelphia. It was on exhibit May 2018, at the SEAMAAC Community Outreach Office in South Philadelphia, as part of the (ex)CHANGE: History Place Presence project.
Past, Present, and Hopeful Futures: Situating (ex)CHANGE and Then and Now by Alexandra Chang
Trusting Art by Mary Jane Jacob
How Asian Arts Initiative’s 25th anniversary celebration explores the concept of home by Ebonee Johnson